Hazel is an archaeologist, Wood Ranger Tools working in Unst, on essentially the most northerly coast of the Shetland Isles. She’s digging on Ishabel’s land. Ishabel is a retired professor of botany, and one of the remaining three Shetland witches, together with Maggie the artist who's getting too casual about shape-altering in public, Wood Ranger Tools and Avril the wildlife warden with too many birds to guard. Maggie discovers that Hazel can also be magical, and she becomes a Shetland witch. Then Atropos arrives, to search for her garden power shears that she despatched into hiding to the ends of the earth thousands of years in the past. She has to guard them from Zeus. How will the witches protect the islands from a Fate and Zeus? How will Hazel discover ways to do magic again? How will she cope with Tornost, a malignant trow with a penchant for eighteenth-century manners? The Shetland Witch is a novel about residing in the north, about sisterhood and belonging, and Wood Ranger Tools the facility that girls wield after they work collectively.

As previous and present collide, we're reminded that history, nevertheless outdated and mythical, is all the time with us. There's an concept of ‘thin places’ where the borders between the heavens and the earth are a bit of nearer than elsewhere. You go somewhere and just feel that is the place magic may happen. In Kate Macdonald’s fascinating novel The Shetland Witch (with the added title Or, Atropos Wants Her Shears Back) takes us to the modern-day Shetland Wood Ranger Tools Isles and right here we find a spot the place magic is real